Lane Fine Art



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				HUGH DOUGLAS HAMILTON C.1740-1808 Portrait of Charles, 8th Lord Kinnaird of Inchture (1780-1826) Painted circa 1800 Pastel drawing on paper 15 x 13in (38.1 x 33cm). Framed size: 17Ľ x 15˝ in (43.2 x 39.4cm) Provenance: By family descent View a full description of this painting View a larger version of this painting



				THOMAS STRINGER of Knutsford A gentleman on his bay hunter exercising a couple of foxhounds in a river valley Painted circa 1780 Oil painting on canvas inches, in a carved giltwood frame. Inscribed lower left “Legacy of John......” Provenance: Private collection Dorset View a full description of this painting View a larger version of this painting



				Charles Towne Portrait of J.C. Shaddock esq., standing in a landscape with his chestnut hunter, a river valley and an Elizabethan country house beyond Painted in 1795 Oil painting on canvas 28 x 36 inches, and contained in its original “Morland”-type carved giltwood frame Provenance: by family descent to the present, latterly in Badminton, Gloucestershire. View a full description of this painting View a larger version of this painting



				Solomon Delane A view near Tivoli at Dawn Painted circa 1777 Oil painting on canvas 28 x 36 inches, and contained in a fine carved and giltwood Georgian frame Exhibited (presumably), Royal Academy, 1777, number 94, “A view near Tivoli”, sent for exhibition from Rome. View a full description of this painting View a larger version of this painting



				Richard Roper “Syphax” a bay racehorse in blue and gold liveried training blankets held by a groom in similar coloured livery Painted circa 1734 Oil painting on canvas 24 x 30 inches, contained within a fine carved and gilded Georgian frame and inscribed on the reverse with the identity of the horse and the date 1734 Provenance: The property of the family the Princes Esterhazy since at least the mid-19th century. View a full description of this painting View a larger version of this painting



				Sawrey Gilpin RA 1733-1807 A portrait of the black and white English Waterspaniel “Tim” standing by a pond in an evening landscape Painted circa 1780 Oil painting on canvas 58 x 66 inches (147.3 x 167.6 cm) 58 x 66 in (147.3 x 167.6 cm) and contained within its original giltwood frame size 73 ˝ x 65 ˝ in (186.7 x 166.2cm) Provenance: By family descent at Crichel House, Somerset, until the present. The painting has never previously been on the art market View a full description of this painting View a larger version of this painting



				John Michael Wright 1617-1694 Three quarter length portrait of John Maitland, 1st Duke of Lauderdale (1612-1682) dressed in a richly embroidered doublet with lawn collar, and holding a stick in his right hand and standing before a column draped in blue curtains Painted circa 1670 Oil painting on canvas 50 x 40 inches and contained within a carved and giltwood frame Provenance: ..............from a collection in Florida, USA Previously unpublished. Painted circa 1670 on costume grounds View a full description of this painting View a larger version of this painting



				THOMAS BEACH (Milton Abbas 1738 – 1806 Dorchester, Dorset) Portrait of the Masters Blair: Charles and Henry Blair, the Children of Charles Blair and Lady Mary Fane, full length, wearing green and red suits of clothes, playing cup and ball in a landscape Painted in 1769 Signed ‘TBeach pinx”and indistinctly dated 1769’ (T and B in monogram; lower left) Oil painting on canvas 50 Ľ x 40 in. (127.5 x 101.5 cm.) and contained in its original carved and gilded frame Provenance: By inheritance in the Blair, Michel and De Montmorency families, until 1981 at Bowling Green, Sherborne, Dorset, to the present owner. Literature: Elise S. Beach, Thomas Beach. A Dorset Portrait Painter, 1934, p. 55, no. 23. View a full description of this painting View a larger version of this painting



				FRANCIS COTES R.A 1726 – 1770 Three quarter length portrait of Sir Robert Pigot (1720-1796), in the uniform of the 38th Regiment, holding his tricorn hat in his right hand, and leaning on his left arm on a mound of earth, pointing to a fort in the background. Painted circa 1765 Oil painting on canvas 50 x 40 inches (56 x 46 inches framed size) and contained in its fine original carved and giltwood Georgian fame. Provenance: by family descent from the sitter at Patshull, Staffordshire, and subsequently Yarlington Lodge, Wincanton, in the family of the Pigot baronets until the present Literature: Edward Mead Johnson “Francis Cotes, Complete Edition” (Phaidon, London, 1976) page 63, catalogue number 90; Gentleman's Magazine. 1804, i 480 (obituary of the sitter) Dated by Johnson to 1758-62. However, the Col. Pigot is wearing the uniform of the 38th Regiment of which he became Colonel on 4th February 1765. (Information from Jenny Spencer-Smith, of the National Army Museum). A dating to c.1765 is thus preferable. View a full description of this painting View a larger version of this painting



				ARTHUR DEVIS 1711-1787 Small full-length portrait of Lord Robert Kerr standing by a tree; a military camp beyond. Painted in 1741 Oil painting on canvas size in a carved giltwood frame Inscribed with the identity of the sitter on the reverse of the canvas. Signed and dated 1741 (lower left) Provenance: by ………..descent in the Cuppage family until bequeathed in or about 1920 to the father of the last owner, Colonel A.P.Daniell, Shropshire. (Information from the last owner). It is possible that the paintings were acquired by the Cuppage family from the Kerrs in the mid-19th century, when branches or both families had adjacent Grace-and-Favour houses in Hampton Court Palace View a full description of this painting View a larger version of this painting



				JOHN FREDERICK HERRING Snr. 1795-1865 The bay racehorse Theodore with John Jackson up, in a landscape, Doncaster race course beyond Painted circa 1822 Oil painting on canvas 15 x 20 inches , and contained in its giltwood frame. Subject engraved View a full description of this painting View a larger version of this painting



				Norman Garstin, R.B.C. 1847-1926 Small full-length portrait of a boy, said to be the artist's son Denys, dressed in cricket flannels and blue-trimmed blazer, holding a cricket bat, his spaniel by his side. Painted circa 1900 Oil sketch on wooden panel 11 x 9 inches Provenance: By descent from the artist to his daughter Alethea Garstin, RWA, from whose estate acquired by us. View a full description of this painting View a larger version of this painting



				Philip Mercier 1689-1760 Half length portrait of Frederick Prince of Wales, (1707-1751), wearing a steel breastplate over a buff tunic, and with an ermine-trimmed red Peer Painted circa 1730 Oil painting on canvas 31 x 25 inches, and contained in a fine carved and gilded baroque frame, the upper centre decorated with Prince of Wales Feathers arising from a coronet. Provenance: Private collection, West Country. Painted circa 1730, but certainly after 1728. Apparently previously unpublished. SOLD View a full description of this painting View a larger version of this painting



				John Raphael Smith 1752-1812 Portrait of the Yorkshire schoolmaster and author John Bigland (1750-1832) Painted circa 1810 Coloured chalks on paper 10 x 8 inches / 24.5 x 21 cm Provenance: the collection of W. Sheardown Esq., by 1868...........private collection, Somerset; sale, Sotheby's Thursday, November 25, 1999 [Lot 3] as “Portrait of a writer in his study” Exhibited “National Exhibition of Works of Art”, Leeds, 1868. Literature: Catalogue of the above exhibition, page 161 number 3192 Engraved: by William Ward after J R Smith (1811) Drawn in Doncaster c.1810. Note: The identity of the sitter in the present drawing had been lost for many years by the time it appeared at Sotheby's in 1999, and its identification, evidenced by the contemporary mezzotint by William Ward, has only very recently been established. View a full description of this painting View a larger version of this painting